The purpose of this book is to help guitarists improve their
reading skills while working on challenging and stimulating musical material.
The book is comprised of 10 etudes written in contemporary musical language that
encompass fusion, rock, funk, and jazz styles. Each etude is presented in two
forms: one with just the plain notation and then a second version with
information regarding content, linkage, and location of ideas on the guitar
fingerboard. The second version has every note fingered with string locations
marked. Most importantly, the etudes are prefaced by information for the
advanced student or professional guitarist that will establish a "reading
routine" leading to improved reading skills. The book is accompanied by a 20
track CD presenting each etude first with it's lead-line, than again without the
line for the player to practice the etude solo.
"Mick is one of the acknowledged masters of all time on his instrument and is known for his command of voicings. His first book, The Advancing Guitarist, is considered a classic among musicians. Here (and in future volumes) he has laid out the whole deal; systematically, organized for all instruments. This book is for serious musicians!" - Dave Liebman
"With this book, Mick has changed the face of harmony: for the guitar and other instruments. I studied an advance copy of Mick's book. After saying 'wow' and 'oh my god' a million times, I am convinced that this is our new harmonic bible. With unbelievable voicings never heard before, new sounding arpeggios, and superb voice leading, Mick has brought us flying into the 21st Century! RUN to get your copy now!" - Joe Diorio
This is a book about voice-leading, chords and about using simple mathematical ways of coming up with all the possibilities for 4 note voicings. By using this book you will develop a better knowledge of the fingerboard, the major, melodic and harmonic minor scales, counterpoint and the use of open strings with other fretted notes. You will an increased ability to move 2,3,4 or 5 voices more or less independently, an increase in comping, compositional, improvisational and teaching skills. This book is the most thorough book available. The ultimate do-it-yourself book!
Recently released is the long awaited, second volume of The Mother Lode! Volume II: Do Not Name That Chord, is a 270 page continuation of Volume I (Name That Chord) and completes this amazing gift to the music world from guitarist and educator, Mick Goodrick.


A collection of contemporary music which is fun to play and equally enjoyable to listen to.
Material which is challenging and exposes the guitarist to new styles and techniques.
The opportunity to improvise within a variety of musical settings and styles including Latin, modal jazz, funk and new age.
Preceding each piece are performance suggestions and explanations of techniques required for the particular piece.
"Among the most striking traits of this collection is the composer's skillful use of textures. Intelligently thought out, the package includes detailed performance notes, a separate second guitar part, a CD with a click track and two different mixes, and detailed standard notation with accompanying chord diagrams. An excellent jazz educational tool." (Guitar Player Magazine)

This book will make it easier for today's guitarists to understand the complex chordal structures used in contemporary jazz.

Australian guitarist Peter O'Mara explores the depths of jazz improvisation from a guitarists viewpoint. This book covers a wide variety of topics: Scales, Intervals, Traids, Non-Tertial Triads, Four-Note Structures, Five-Note Structures (Pentatonic Scales), as well as useful practice exercises. Fourteen modes and their applications are covered in detail. The book also includes a play-along CD featuring demonstrations by the author, as well as Midi-Files. A must for the contemporary jazz guitarist!
In this book, readers will find a thorough presentation of rhythmic source materials for use in practicing, composing, arranging and performing music. This book will help the practicing musician to develop a more extensive rhythmic vocabulary, as well as improving sight-reading skills.